Images are watermarked and encrypted and can be synced through secure FTP. Color grading is compatible with On-Set Dailies and can be sent back along with any text notes to the dailies facility and applied for the transfer.
On-Set Color works both on iPad 2 and the original iPad and is available for all On-Set Dailies users immediately.
Advantages of Colorfront On-Set Color
Full integration with On-Set Dailies
Works with 2K uncompressed 10 bit log DPX files
Full latitude high dynamic source material
3DLUT calibration applied on the iPad
Automatic sync stills and color grading metadata from OSD
Secure FTP transfer, 128-bit AES encrypted images and watermarking for security
View original, colorist or new grade
Send back CDL or primary grade settings to OSD
Multi-Touch UI, gestural interface
Aspect ratio overlay and blanking
Brightness, contrast, color balance, saturation control
Color grade shadow, midtones and highlights separately
On-Set Color™ and On-Set Dailies™ are trademarks of Colorfront.
Powerful dedicated 2K/4K transcoding application automates fast, high-quality digital file conversion at the highest performance for studios and VFX facilities involved in motion picture and high-end TV production.
Transkoder is based on Colorfront’s award winning On-set Dailies architecture and uses cost-effective, commodity hardware, to deliver faster-than-real-time processing to transcode, decode, convert, wrap and process files to various high-end file formats.
Colorfront Transkoder is the ultimate tool for DCP and IMF mastering,
including: the industy's highest performance JPEG2000 encoding and
decoding, 32-bit floating point processing on multiple GPUs, MXF wrapping,
accelerated checksums and AES encryption and decryption, IMF/IMP and DCI/DCP
package authoring, editing, transwrapping.
Transkoder 2019 adds features such as dual 4K outputs for simultaneous HDR and SDR mastering, Dolby Atmos audio and Dolby Vision encoding,
automatic calculation of MaxFALL / MaxCLL values for SMPTE ST 2086:2014 HDR metadata, Civolution forensic watermarking, audio level meter and vectorscope.
Advanced DCP/IMF mastering features include SMPTE TT, closed caption and subtitle support, including keyframe animated PNG and text based subtitles, bitrate and PSNR analysis, two pass encoding with PSNR and bitrate targeting, package validation with logging and reporting and international language support.
NEW SUBTITLE ENGINE IMSC IMF and DCI subtitles, advanced international language and styling support, multiple subtitle and CC tracks
PC AND CLOUD PLATFORMS REST API, workflow automation, S3 cloud storage, AWS EC2 support
RAW SUPPORT All major camera RAW format support including Blackmagic RAW, ALEXA Mini LF, SONY Venice 3.0, RED GPU decompression
Technicolor has been a pioneer in digital cinema since its inception in 1999.
We provide our clients with worldwide scale coupled with locally managed and delivered digital cinema releasing services including mastering and distribution.
We’ve been extremely impressed with the speed and flexibility of Colorfront Transkoder for DCP and IMP creation. The team is sharp, fast and flexible and their products are a direct reflection of this.
Nick Mitchell, Vice President, Digital Cinema Mastering Services Technicolor
Colorfront Transkoder is running on both Windows 7 and Mac OS X as a 64-bit application, and exploits the performance of the latest CPUs, and multiple-GPUs for parallel computing.
Windows 10 Operating System and OS X 10
Supermicro, HP Z840 or Mac Pro workstation
AJA Corvid 88, Kona 4 and Io4K video I/O
Also available running on Google Cloud Platform and Amazon AWS EC2.
de-Bayer & de-Mosaic, format, resize, aspect ratio, crop, LUTs and color space conversion, watermark, subtitle and encode processing
EDL and Final Cut XML conform
JPEG2000 (IMF and DCP) MXF wrapping
Composition Playlist and Output Profile List XML (showing resolution, bitrate, format) to define jobs and deliverables