Secure, calibrated, full latitude grading in 2K on the new iPad.

Seamlessly integrated with Colorfront On-Set Dailies, On-Set Color is an iPad grading app that supports communication of cinematographic intent between DoP and the dailies colorist.


Having access to the full latitude 2K 10bit logarithmic DPX images on the new iPad, with the calibration applied on the device allows for a proper grading pipeline to be implemented on the iPad.

See the workflow video.

OSCQuickStartGuide.pdf [845 KB]

Images are watermarked and encrypted and can be synced through secure FTP. Color grading is compatible with On-Set Dailies and can be sent back along with any text notes to the dailies facility and applied for the transfer.

On-Set Color works both on iPad 2 and the original iPad and is available for all On-Set Dailies users immediately.

Advantages of Colorfront On-Set Color

  • Full integration with On-Set Dailies
  • Works with 2K uncompressed 10 bit log DPX files
  • Full latitude high dynamic source material
  • 3DLUT calibration applied on the iPad
  • Automatic sync stills and color grading metadata from OSD
  • Secure FTP transfer, 128-bit AES encrypted images and watermarking for security
  • View original, colorist or new grade
  • Send back CDL or primary grade settings to OSD
  • Multi-Touch UI, gestural interface
  • Aspect ratio overlay and blanking
  • Brightness, contrast, color balance, saturation control
  • Color grade shadow, midtones and highlights separately
  • Review and share notes and comments

For additional security details on the iPad in general, please review:
iPad in Business Security Overview

On-Set Color™ and On-Set Dailies™ are trademarks of Colorfront.

SPRING FAIRY - PANASONIC VARICAM 35 VRAW

Directed and Produced by Oliver Farkas

Shot on location usin Panasonic Varicam 35 with extension module and Codex VRAW recorder in UHD at 120 FPS. Colorfront Interactive HFR Frame-Blending was used to achieve different motion blur in post production. Two looks - for Winter and Spring were created in Colorfront Transkoder and blended in BMD Resolve using mattes. Interestingly, no offline editing / conform was done - VRAW was used directly in Resolve for the edit.

SPRING FAIRY
Produced and Directed by: Oliver Farkas
Director of Photography: Levente Toth
Music: Chris
Shot on Panasonic Varicam 35 in VRAW at 120FPS with a fully open shutter | Edited and graded in Resolve | Frame blended and rendered in Transkoder using Colorfront Engine pipeline built on ACES 1.0

FREAK FUSION CABARET - PANASONIC VARICAM 35 HFR

Directed and Produced by Oliver Farkas

Colorfront Interactive HFR Frame-Blending supports a wide range of digital cameras that can shoot 120FPS HFR.

At NAB 2015, Colorfront showed Interactive HFR Frame-Blending, a unique creative capability giving realtime control over the motion blur of objects in an HFR sequence. Colorfront is demonstrating Interactive HFR Frame-Blending using Panasonic Varicam 422Lt RAW footage, shot at 120FPS with an open shutter, being deBayered in 4K on-the-fly.

Using a simple slider interface, this new capability allows users – both on-set and in post production – to incrementally adjust shutter angles on HFR footage between 72º and 360º, and to perform realtime frame blending. Along with providing control over motion blur, this new capability also delivers the ability to retime shots and create speed ramps – with the results being seen immediately, playing back realtime.

FREAK FUSION CABARET

A Rebel Against production
Produced and Directed by: Oliver Farkas
Director of Photography: Levente Toth
Music: Bruce Springsteen - State Trooper (Trentemøller Mix)
Shot on Panasonic Varicam 35 in 4K422Lt RAW at 120FPS with a fully open shutter at ISO 400 using Cooke S4 lenses | Edited in Final Cut X | Dailies on Colorfront OSD, conformed, graded, frame blended and rendered in Transkoder using Colorfront Engine pipeline built on ACES 1.0

DRUMMER - ALEXA XT HFR

by Oliver Farkas

Colorfront Interactive HFR Frame-Blending supports a wide range of digital cameras that can shoot 120FPS HFR.

At HPA’s 2015 Tech Retreat, Colorfront showed Interactive HFR Frame-Blending, a unique creative capability giving realtime control over the motion blur of objects in an HFR sequence. Colorfront will demonstrate Interactive HFR Frame-Blending using ALEXA ARRIRAW footage, shot at 120FPS with an open shutter, being deBayered in 4K on-the-fly. Using a simple slider interface, this new capability allows users – both on-set and in post production – to incrementally adjust shutter angles on HFR footage between 72º and 360º, and to perform realtime frame blending. Along with providing control over motion blur, this new capability also delivers the ability to retime shots and create speed ramps – with the results being seen immediately, playing back realtime.

FLY - Canon C500 & 1DC

by Oliver Farkas

Showcasing the cost effective, straightforward process of finishing, mastering and delivering according to the latest standards, while protecting valuable media assets for the future, Colorfront's IBC 2013 demo includes the UltraHD short movie Fly.

Shot on Canon C500 in CanonRAW 3840x2160 UltraHD @ 60FPS to a CODEX On-board S Recorder, with additional footage shot on Canon 1DC in 4K@60p. Dailies were processed on Colorfront On-Set Dailies, with h264 and ProRes HQ deliverables, then edited in Final Cut, and conformed, color graded, finished in Colorfront Transkoder.

EFILM continues to lead the way in imaging science

NVIDIA presentation on EFILM's use of Colorfront On-Set Dailies and GPU technology.

NAB 2013 - Express Dailies

Light Iron – Harnessing the Power of Express Dailies

On-Set Dailies and CinePostproduction Copra

Nice video from our friends at CinePost Berlin. On-Set Dailies can be tightly integrated with and export directly to the Copra iPad dailies review app.

On-Set Dailies and On-Set Color workflow video.

Clips are from the feature Styria, the first ever Alexa ARRIRAW feature film shoot.

On-Set Dailies is at IBC 2010

Presented by Florian 'Utsi' Martin, colorist at ARRI Film & TV


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